Research update updated #buildingpassions

I’ve previously blogged on my effort, that began last October, to apply for a PhD at a local university in Canterbury, England.

While I have been offered a place for the Autumn, there are still issues with how the PhD might be funded. Currently the most likely proposition would be a grant to support joint supervision between a UK and French university. I won’t do the research if I can’t get funding.

The PhD was going to focus on Art Nouveau architecture, first epitomised in unique houses designed by Victor Horta in Brussels in the 1890s. It will now go wider to cover what I term early ‘modern’ architecture, this in a broader period across the turn of the 19th and 20th Centuries.

My book ‘Building Passions‘ refers to ‘modern’ Victorian architecture in its full title. This captures a sentiment that the design of structures was modernising in response to 19th-century developments in the architectural and engineering professions, as well as technical progress in the use of building materials such as steel, glass and cement.

I won’t cover in a PhD, except as context, what happened in Chicago in the 1880s when architects first designed what became known eventually as skyscrapers. These ‘super-structures’ are also referenced in the book. The world’s tallest building, the Burj Khalifa in Dubai, UAE, has a construction heritage that can be linked back directly to Sir John Wolfe Barry and partners – and the first of these was the civil engineer Henry Brunel, son of the 2nd Greatest Briton after Churchill (by public vote), Isambard Kingdom Brunel.

You can read more about them all in the book, which is on sale at half price as an e-version for the month of April at .

Art Nouveau or decorative c***p #buildingpassions

I’m on a lengthy journey which started at the end of October.

This is when I first approached my local university about doing a PhD in history.

Since then the topic has been moulded into something more focused and relevant. Currently it will look at how Art Nouveau emerged as a distinct architectural style in Brussels in the early 1890s.

More importantly it will get under the skin of how building standards impacted on its development as it spread through Belgium and to the rest of Europe. This creep was resisted in England and parts of Austria and Germany. In the end the style died an early death before WWI, to be replaced by Art Deco and Expressionism in the 1920s.

For opponents of the style, resisting the creep became about highlighting decorative c**p. Adolf Loos in Vienna ranted about the moral decay of over-decoration. Charles Voysey in England stressed the greater importance of function, a feature of the earlier Arts & Craft style which had been taken up by the Chicago School of architects when building skyscrapers in the States.

Others were happy to let Art Nouveau flourish as a holistic design trend, but preferred the simplicity of emerging modernism, aided by the use of reinforced concrete as a smooth exterior feature, strengthened with a steel core.

At any rate, if I manage to do it, the research could be fun!