I’ve not blogged yet about the current pandemic facing the world. It didn’t seem appropriate for my typical themes.
However, now that people are wondering what to do with themselves as they self-isolate (the word of 2020?), it does seem appropriate to encourage them to read more books.
Not only will they derive more pleasure and knowledge, they may learn a few tricks. Equally, they will help authors and smaller publishers such as myself. I would strongly recommend reading ‘BUILT‘ by my structural engineer friend Roma Agrawal, which inspired me to write my own book.
In the case of ‘Building Passions‘, all you need to do is look at the website and then decide if you want to read more. You can only buy the e-book via Kobo.com as a print copy is too risky currently to mail.
I’m also looking into remote casting talks about the book and its related topics, which cover the 19th-century Brunel and Barry families and ‘modern’ Victorian architecture. I know a fair bit now about the highly decorative ‘Art Nouveau’ architecture of the later 19th and early 20th Centuries, as I’m planning a PhD in that area once things have calmed down.
Above all, be wise and stay safe for your sake and everyone else’s.
Dulwich College is an independent school in South London, England.
It is best known for producing Ernest Shackleton, the Antarctic Explorer, and PG Wodehouse, the writer of the amusing Jeeves the Butler series.
More recently, it has been in the news for educating Nigel Farage, the leader of the Brexit Party in the UK. It isn’t known for schooling me, but yes, I did go to it for almost four years in total, split between two stays.
Why, you might reasonably ask, is it on my list of 10 favourite structures from my book ‘Building Passions‘? The answer is simple: I love it as a building complex, and it was designed by Charles Barry junior in the 19th Century.
The structure was an Italianate homage to the Houses of Parliament, designed and built by his father Sir Charles Barry, with assistance from his other son Edward Middleton Barry, as well as the famous Gothic Revival designer Augustus Welbin Pugin.
I particularly like the beautiful Great Hall with its hammerbeam roof also reminiscent of medieval Westminster Hall, now the main entrance route to Parliament for the public.
Sadly, I didn’t appreciate the architecture while at the school – at least I’ve finally come round.
I’ve mentioned the Crystal Palace in previous posts in this series of 10 top structures from my book ‘Building Passions‘.
There is no doubt that it was a hugely significant structure that set an imprint on the industrialising world in the mid 19th Century. Britain had led that rapid new development process and here was a showcase building within which visitors could admire the nation’s industrial pride and heritage. To some extent the now famous 2012 London Olympics opening event was an historical re-enactment of that major change to the world.
I studied the First Industrial Revolution at a British University, so was always going to be keen on a structure that embodied its products. But I’d also gone to school at Dulwich College in South London, near to which the Crystal Palace was moved from Hyde Park, and where it stayed until it tragically burned down in 1936. But a suburb and a football/soccer team still carries its name.
In terms of the Brunels and the Barrys in ‘Building Passions’, the Crystal Palace was one of the few (only?) structures where Isambard Kingdom Brunel and Sir Charles Barry shared combined thoughts on its erection. The designer was Joseph Paxton, an expert in large-scale greenhouses, but of course there was a Building Committee chaired by the civil engineer Sir William Cubitt, to which Brunel and Barry belonged with Robert Stephenson and a few other eminent individuals.
The iron and plate glass design influenced both Brunel’s Paddington Station as well as Edward Middleton Barry’s Floral Hall, adjoining the new Royal Opera House. It also showed the wider world what could be done with these two key building materials. In Chicago this influenced innovative architects to start using them to design taller, lighter (both meanings) office structures with new elevator technology. The word ‘skyscraper’ entered our vocabulary. Steel replaced iron as a cheaper but more tensile metal, and so the industrial era moved into the rapidly growing commercial cities of the world, most typified in the 20th Century by New York and its Empire States Building.
If you are fans of the musical ‘My Fair Lady’ you will recognise the song in the title of this post.
It is sung by Elisa Doolittle, the flower seller, as she dances around Covent Garden marketplace in London more than a century ago. The movie actress was Audrey Hepburn, who by the end of the film transforms from a chirpy Cockney to a posh high-class lady.
Covent Garden is still a big London attraction and the Royal Opera House and Floral Hall to be found there, also feature in ‘Building Passions‘. This is because they were built by the architect Edward Middleton Barry, brother of John Wolfe Barry.
I particularly like the Floral Hall, designed as it was in a miniature form of the Crystal Palace, another favourite structure in the book. When the Royal Opera House was renovated at the turn of the 20th and 21st centuries, the engineers managed to raise the next door hall up on stilts and create a beautiful metal and glass venue for opera goers and other guests.
The structure still exists as a world centre of song and dance, which is fitting as we approach the festive switch from 2019 to 2020.
Have a happy one!
I decided a while back that I would self-publish my forthcoming book on the Brunel and Barry families.
This has meant foregoing current earnings to spend time writing and there is no guarantee how I will do with my first (and possibly only!) book.
I have also spent money on an editorial assessment and buying image rights, plus I am committed to further payments for editing, proofreading and design and marketing costs. Since I don’t know what sales will be like, it’s difficult to estimate future income from publication. This also depends on the cover price and whether I market it only as an e-print or also as a hard- or softback.
That being said, the people I am writing about were very familiar with the concept of risk. Isambard K Brunel’s father Marc was thrown into debtors’ prison as poor cashflow held up his ground-breaking projects. It was only the threat of him returning to the old enemy France that precipitated action at the highest levels to release Government funds. Sir Charles Barry and his son Edward Middleton Barry were consistently at loggerheads with Parliament over delayed payments for building the New Palace of Westminster.
So, it would help me greatly to know what interest there might be out there for this book. The current favoured title is “Barry, Brunel and sons:
Builders to the British Empire”. My only concern is there is too much alliteration going on in it. What do you think? Tell me in a comment below.
To get a flavour of the book please look at the content of this website – it develops from the main focus here on John Wolfe Barry, to a wider scope looking at his father, brothers and close relationship with Henry Brunel, hence brings in the latter’s famous father IK and grandfather Marc. It also makes connections between Victorian architecture and engineering and modern day structures such as the world’s tallest skyscraper, the Burj Khalifa in the UAE.
P.S. The illustration of Big Ben is made from a photo I took of it at night time before the current renovation works. Another Barry structure!
I’ve written half my target number of words for my book on the 19th Century Barrys. The rest needs to be completed by mid-June latest.
One thing that changes as I add words to the draft is the title and structure of the book. It has now moved on from a central focus on Sir Charles Barry and his three architect/civil engineer sons, to a wider scope including the great Isambard K Brunel and his son Henry Brunel.
This makes for a better connection with the themes of family, recognition and building that run through the book, as well as allowing me to look even more closely at the relationship between architecture and civil engineering.
What, you might ask, is the connection between the Barrys and the Brunels?
John Wolfe Barry and Henry Brunel were close friends and business partners who lived and worked in the Brunel family home and offices in London for the first years of their civil engineering collaboration. Once John was married and children started arriving, Henry had to leave his parents’ house as a lifelong bachelor and hand it over completely to his friend. This can’t have been easy for him!
The fathers of each son knew each other and were both Fellows of the Royal Society. They had also worked together on designing a venue for the 1851 Great Exhibition in London which became known as the famous Crystal Palace. There is no evidence of any close personal or business relationship between them and this could be said to typify the traditional space between British architects and civil engineers.
The book will expand on the above and is currently due for publication by end September 2019. Fingers crossed!
I’ve sent off a possible cover design for my forthcoming book on the 19th Century Barrys which I pulled together in a few minutes using a cheap software programme.
I didn’t plan to do this but an opportunity came up for a free assessment by a cover designer so I thought I’d give it a go.
I found a template with a picture of the Eiffel Tower on it and then played around a bit with the title and my name. Of course for this book the structure could be one of many towers, depending on how I want to represent the Barrys visually without just sticking their portraits on the cover.
They say you should trial a range of different cover designs with audiences to see which ones work best, but I don’t have the budget for that.
What criteria do I think should be important for a potential reader?
- Confirmation that they are looking at the right category of book e.g. historical non-fiction about buildings and their builders
- Sense of pleasurable expectation of an experience that opening the cover might lead to.
- Hint of quality of a product that can’t be touched before purchase as it will be marketed electronically, and you can’t get refunds on books you don’t enjoy reading, caveat emptor.
I will reveal the design stages later down the line.
The British Houses of Parliament have been in the news lately because of the laborious process for leaving the EU.
This process was clearly set up to discourage any state from doing a Brexit, Grexit or Frexit. Perhaps call it Nexit to be clear? The British people just want a clear decision to avoid current uncertainty.
As I watched the debates in the House of Commons last week I couldn’t help but admire the chamber in which the Members of Parliament sit, assuming they can find a spare place. It was deliberately designed by Charles Barry senior to be cosy, at the express wishes of the 19th Century incumbents who feared it would look vast and empty during an average poorly attended session!
Once completed by Edward Middleton Barry, the New Palace of Westminster would see numerous debates and committee sessions, including an inquiry into building a bridge across the adjacent Thames further downriver next to the Tower of London. One of the expert witnesses was Sir Charles’ other son John Wolfe Barry by then a respected civil engineer, who reassured MPs that despite vociferous opposition from some local commercial interests, the proposed bascule bridge would be a huge benefit to road traffic and a minor hindrance to river traffic. Tower Bridge still operates on this premise over a century later.
The benefit of hindsight ….
By Barrys I don’t mean Barry Manilow or Barry from Eastenders.
I do mean Sir Charles Barry and his sons Charles junior, Edward and John. They are the main characters in the joint biography I am writing of an atypical Victorian family.
Most of us associate the Victorian period with scenes from a Charles Dickens novel or with Queen Victoria and her Prince Consort Albert. For me it is inextricably linked to architecture (we live in a Victorian house even though it was built a few years after the Empress died) as well as the industrial and commercial expansion of the British Empire culminating in the Great Exhibition of 1851 held in the magnificent Crystal Palace.
That last structure brings together a few strands in the developing book. Sir Charles Barry sat on the planning committee for it together with Prince Albert and IK Brunel. His close collaborator on the New Palace of Westminster, Augustus Pugin, created an amazing display of medieval crafts which typified the Gothic Revival style he defended so vociferously against Greek classicists.
Once the Great Exhibition finished it was decided to move the whole structure to Sydenham Hill outside London, though now in a suburb in the capital aptly called Crystal Palace. To allow access to it a new high level railway station was built at the top of the hill to reduce the walk for visitors. There is some dispute whether Charles Barry junior or his brother Edward Middleton Barry was responsible for this structure since demolished, but certainly the subway from the station to the site of the palace is still accessible with its amazing vaulting and decoration.
Charles Barry junior did build the splendid new Dulwich College in the 1860s just down the hill from the Crystal Palace and shown in the above photo. I went to school there but never realised its architectural significance or link to the Barry family. Not even my best friend Barry knew this. If he actually existed that is ….